Tuesday, December 28, 2004

 

Swades - Where are the people?

Swades is a refreshing change from the world of stereotype ‘masala’ movies churned out dime a dozen by the movie industry. One may wonder whether a movie can made without the following elements thrown in:
- An emotional love story
- An item number
- Violent fight sequences
- A duet song in some exotic locale in Europe or Australia
Cant blame anyone if they conclude that a movie devoid of such elements, if indeed such a movie exists would surely be about the life story of Gandhi, Nehru, Bose or some revered figure in Indian history.

For a start, what makes Swades different is that it is devoid of any such supposedly “success formula” elements. Yes, there is a love story in this movie too; the love story however does not represent the central theme of the movie.For a change one also gets to see Shahrukh back in India (atleast for most part of the movie), after completing a string of “onsite” assignments with Karan Johar’s and Yash Chopra’s of the world.

The movie brings out the reality of life in the Indian heartland. The heartland that contains the majority of the population of our country, located well outside the glitter and money of urban India. The agrarian societies that constitute this heartland, along with the legions of masses who still live below the poverty line who inhibit them, whom we conveniently choose to forget about. The only time these people ever make it to the news is when some kind of devastating calamity occurs which demands the attention of the rest of country and the world. Sadly the reality is what we consider as developed India consists only of the major metros and a few other cities nothing more than that. The real India doesn’t have even basic infrastructure let alone malls and multiplexes. This essential reality that most of us try to escape is one of the views that the movie strives to drive home. A point well made by scenes depicting the foreign returned protagonists’ initial frustration at the lack of mobile phone coverage, rudimentary communication lines and the complete astonishment about the fact that no one has heard of such a thing as internet. The image of the boy selling water for a meager amount wakes one up to the stark reality of the everyday life and struggle of these people.

Another aspect that stood out well was the bold view expressed about culture – cited as the Achilles Heel of western society and the ultimate brahma astra that the Indians wield. In any debate concerning the West Vs India, the person who makes a point about our glorious culture seems to have the last word always, settling the issue once and for all. This false sense of pride and the illusion of cultural superiority that blinds us from logic and reality are highlighted in an argument between the protagonist and the village elders.

The subtle undercurrent of patriotism expressed throughout the movie surely deserves praises. It depicts patriotism in the right perspective. There is no Pakistan bashing or pursuit of jihadi terrorists across the globe and no cricket match against our former imperial masters to depict patriotism. The indefatigable determination of the protagonist to improve the quality of life of his lot despite having to sacrifice the quality of his work and life symbolizes a truly worthy patriotic act. Also worth a mention is the fact that the protagonists return to homeland is not meaninglessly dramatized by clichéd dialogues like – “The smell of Indian soil/air was irresistible” or “The acres of sunflower and wheat fields reminded me of home” or some such unrealistic analogy, which would constitute the most baseless of statements to return back to India.

The depiction of the protagonist as a scientist working with NASA was well thought of. This makes his feat of setting up a small time unit for power generation in the village a more believable feat. NASA itself was depicted in a more realistic light, as a place where useful and serious work is carried out unlike the stereotype view projected by most Hollywood movies where NASA centre is just a launch pad for blasting off into space to defend our planet from alien invaders or killer asteroids.

The idealistic teacher, the caring mid-wife, a multifaceted postman, a optimistic cook, a helpful colleague and skeptical village elders - a range of characters with their own views and values blend in well in their allotted roles. Great tunes, again by Rahman (esp. the title track).

So what’s the flip side of the movie? Two songs – the one during the dasheera celebrations and the duet that subsequently follows a little while later could have been completely done away with, somehow they just don’t fit in with the rest of the movie. The role of the ‘over smart’ kid could have been reduced. Oh yes ,how can one forget the parting gift handed over by the school teacher. Wonder what the reaction of a customs/security official in an US airport would have been to such a gift. These were the only obvious shortcomings.

Most of the other criticisms about the movie, pointed out as reasons for its poor showing at the box office are somehow not convincing enough. ‘The total duration of the movie’ – yes, a three hour plus movie is surely long but people have endured such torments very happily in the past, remember the movies released by a certain ‘Rajshri productions’. ‘Movie could have had more story and depth’ – Offcourse it could have, only it would have resulted in a trilogy like Lord of the Rings or maybe a six part story like Star wars if the protagonist were to solve all the problems plaguing our society and if each character was covered ‘in-depth’. The most meaningless of criticisms were the comparisons drawn with Lagaan. If indeed the director had a mindset like Lagaan while making this movie one could have seen John (the boss in NASA) speaking in typical anglo-hindi, probably would have hurled racist abuses each time Shahrukh calls up to extend his vacation and might have had a sister or daughter who probably loves India and Indian tradition.

The movie is not the intellect or ‘pseudo’ intellect kinds, it is more or less a portrayal of reality. I guess none of us wants to accept reality and least of all the fact that a well to do NRI would give up his comforts and luxury to help out the folks in a remote village while we located at much closer proximity would never have bothered.
Looking at the low number of movie goers turning up to watch this movie one wonders 'Where are the people? '


Comments:
nice review :-)

i am going to see swades today @ forum mall.....
I saw "musafir" and it was a quentin tarantino-esque ( i wanted to see "the incredibles" couldnt get the ticket @ forum) ...

But i never knew item numbers look so good on the screen....
wow...koena mitra took the breath out of me....
check it out if you have the time....
 
Hmm,
Dude , Did u know that this bugger , the so called director , academy nominated mf ripped the movie off a famous Kannada Novel ( Chiguridha Kanasu ) . It was already made in to a movie long back in kannada. I guess ppl recognize good things only by the banner, actors and cheap lagaana making rip off director and tune flicking music directors :-P. Thats it I am done with my ranting :-@
 
Well, I havent seen CK...so cant comment on that. If it is indeed true that Swades is a remake of CK, it would be a refreshing change as things happen normally the other way in Kannada cinema.

But coming to my peeve on the comment - the Music!! tune-flicking?!!! Have you even heard the songs of Swades? If the track "Yeh Jo Des Hai Tera" sung by Rahman doesnt give you goosebumps, then all I can do is pity you. Tsk tsk!
 
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